- Golden – HUNTR/X: EJAE, Audrey Nuna & REI AMI (Label: Visva/Republic | LW: 1 | Peak: 1 | Weeks: 13)
- Ordinary – Alex Warren (Label: Atlantic | LW: 2 | Peak: 1 | Weeks: 32)
- Manchild – Sabrina Carpenter (Label: Island/Republic | LW: 3 | Peak: 1 | Weeks: 15)
- What I Want – Morgan Wallen Featuring Tate McRae (Label: Mercury/Big Loud/Republic | LW: 7 | Peak: 1 | Weeks: 18)
- Soda Pop – Saja Boys: Andrew Choi, Neckwav, Danny Chung, Kevin Woo & samUIL Lee (Label: Visva/Republic | LW: 5 | Peak: 5 | Weeks: 12)
- Your Idol – Saja Boys: Andrew Choi, Neckwav, Danny Chung, Kevin Woo & samUIL Lee (Label: Visva/Republic | LW: 4 | Peak: 4 | Weeks: 13)
- Love Me Not – Ravyn Lenae (Label: Atlantic | LW: 9 | Peak: 5 | Weeks: 25)
- Daisies – Justin Bieber (Label: JRC/ILH/Def Jam/Republic | LW: 10 | Peak: 2 | Weeks: 10)
- Lose Control – Teddy Swims (Label: SWIMS Int./Warner | LW: 11 | Peak: 1 | Weeks: 109)
- How It’s Done – HUNTR/X: EJAE, Audrey Nuna & REI AMI (Label: Visva/Republic | LW: 8 | Peak: 8 | Weeks: 12)
🎤 Weekly Chart Commentary – September 27, 2025
Golden sits atop for a second week running, and HUNTR/X at this point don’t feel like a breakthrough but a regime. Thirteen weeks into the record, it still smells of new paint, and the team operating it at Visva and Republic with the 24, IDO, TEDDY, and Ian Eisendrath core stealthily constructing a modern pop machine.
You see the product of the shop all over the chart. HUNTR/X also chart How It’s Done at No. 10 and What It Sounds Like at 19, as label-mates Saja Boys accumulate Soda Pop at No. 5 and Your Idol at No. 6. It’s a small but intertwined ecosystem with mutual writers, commingling-producers, and a consistent, shiny sound that’s clearly reaching.
Alex Warren holds the No. 2 position with Ordinary, 32 weeks into the campaign and already Platinum. That’s the definition of slow burn pop crossover. Catchy hook, consistent play, and enough streaming floor cover to ride wave after wave of new product. He also keeps a second single, Eternity, active all the way down at No. 75. The story is longevity.
The gravitational center of the week remains Sabrina Carpenter. Manchild maintains at No. 3 after its June debut at No. 1, Tears stabilizes at No. 12 for the third week, and she still maintains a token army of albums tracking, some sliding, some holding steady, but as a unit proving the depth of her era.
This week’s highlights. When Did You Get Hot at No. 31 stabilizes, the up tracks Sugar Talking, My Man On Willpower, Goodbye, and House Tour get into their post-debut grooves, and even the balladry We Almost Broke Up Again Last Night clings to the list at No. 91. Ten-plus entries all at once ain’t a weekly norm. The saturation’s peak era Taylor and Billie-esque.
Country keeps the foot on the accelerator. Morgan Wallen regains the top half of the Top 5 with What I Want at No. 4 and fills out a full rotation elsewhere.
I Got Better at 13, Just In Case at 17, I am The Problem at 21, 20 Cigarettes at 82, a re entry for I am A Little Crazy at 89, and the Post Malone duet I Ain’t Coming Back at 98. This is not just domination but depth, powered by the J Moi and Charlie Handsome production lane that fills out the corners for crossover.
On the big country tip, Shaboozey’s A Bar Song Tipsy also holds at No. 15 and is now 75 weeks young and Diamond. Good News holds at 20, and the Jelly Roll collaboration Amen continues to loiter around the 70s.
Riley Green holds two crowns on the sheet at No. 42 and No. 76 as Thomas Rhett at 48, Luke Combs at 47, and Bailey Zimmerman at 60 fill out a congested middle tier.
The week’s biggest airplay glow up belongs to Daisies by Justin Bieber, back up the chart to No. 8 from a debut at No. 2 in late July.
The record’s radio friendly to a fault, tightly assembled, warmly textured, and boasts a writer and producer list that reads crossover with Mk gee, Dijon, Colin Lang, and Evan Benjamin. Yukon by Bieber at No. 32 holds the campaign two pronged.
Between those and the spike for Olivia Dean later in a second, pop radio is certainly starved for well constructed, adult leaning hooks as we embark upon Q4.
If you want a clinic in stamina, Teddy Swims provides it. Lose Control at No.9 for the week at 109 times Platinum and still part of the conversation.
The song this year received a second wind and the sort of streak that ends up remaining for the next several years on karaoke pages and bride playlists.
Benson Boone’s streak isn’t behind the spirit by much. At No.16 closing out a close one-and-half-year ride, Mystical Magical at 25 continuing to carve a path, and Sorry I am Here For Someone Else at 37 creating a three pack in the top 40.
New arrivals are modest but irresistible. The week’s leading debut is by Drake with Julia Wolf and Yeat at Dog House at No. 53, a chilly, hook driven cut which suggests Drake keeps playing with textures but maintains chartibility.
Ed Sheeran’s Camera makes its entrance at No. 58, a ILYA and Andrew Watt featured cut which goes down like fall radio catnip.
Twenty One Pilots introduce City Walls at No. 83, giving alt radio a new bullet, and Rihanna’s Breakin Dishes slips onto the chart at No. 86 with a Platinum tag, a eyebrow raising catalog blast which suggests a sync virality or fan driven moment.
Jason Aldean’s How Far Does A Goodbye Go enters at No. 88 and YoungBoy’s Shot Callin enters at No. 90 to top off the week end chart new arrivals, with KATSEYE’s Gnarly returning at No. 97, a humble but notable harbinger of the stickiness of K pop between event drops.
Some notable data point awards worth mentioning. Olivia Dean bursts Man I Need into the top 30 with the week’s largest streams gain, a quietly huge milestone for a soulful pop voice growing naturally each side of the Atlantic.
Forrest Frank scores the week’s largest streams gain with Your Way’s Better, back up to No. 64 and a reminder buy buttons still turn needles when the community comes together.
The producer ledger also includes Ryan Tedder back through the top 50 with Tate McRae’s Revolving Door at No. 46 and the title track at 55. Julia Michaels shows up in the Revolving Door credits as well, a reminder of just how communal this year’s pop center has been.
Latin chart representation takes a drop this week but does not vanish. Fuerza Regida’s Marlboro Rojo sneaks up at No. 78, and Dareyes de La Sierra’s Frecuencia holds steady at No. 94. Dance leaning songs get a second lease.
Disco Lines and Tinashe reach a new high with No Broke Boys at No. 39, proving the club to chart arteries still exist when the hook pays off. PARTYNEXTDOOR, Drake, and Cash Cobain’s Somebody Loves Me holds at No. 40, a one-pocket groove record with enough radio cheese to keep spinning.
Overtly, the song credited as sombr is having a breakout month. Undressed hits a new peak at No. 18, Back To Friends rises to No. 23, and 12 To 12 reaches No. 41.
Three spots from an up-and-coming act in one frame is a statement, and the lean and melancholy production cuts against the all-for-one pop maximalism dominating the Top 10. Zooming out, the week looks like the summer sprints/Q4 set up pivot.
The top level is locked. Golden, Ordinary, Manchild. Downwards, programmers try new textures with Dog House, Camera, and City Walls as country’s streaming machine keeps churning. The multi track grasp of the summer is Sabrina Carpenter.
Morgan Wallen’s multi format stamina is the template. And HUNTR/X holds the baton for the moment with the sort of team sports pop delivery that always means an album cycle getting into the victory lap. Coming up next week. Can Daisies crack the Top 5 by airplay movement.
Does the streaming climb of Man I Need continue. And does one of Sabrina’s midpack songs convert soft fades into radio-spurred turnarounds. For the moment, consider this a state of the union report with a pulse. Stable at the top, active in the center, and just enough new ink at the bottom so October gets very interesting.