The US Hot 100 for the week ending July 25, 2026 reflects a music market where long-running hits continue to dominate while fresh releases are beginning to reshape the chart. Rather than one artist controlling the entire conversation, this week features a healthy mix of country, pop, hip-hop, indie, alternative, and crossover records. Established stars remain highly competitive, but several newer names are proving they have staying power.
Ella Langley continues to lead one of the year’s biggest success stories, while Taylor Swift remains close behind with another major hit. Ariana Grande climbs back into the Top Five, and artists such as Olivia Dean, Bruno Mars, Olivia Rodrigo, Morgan Wallen, Noah Kahan, and Zara Larsson all maintain strong chart positions.
One of the biggest talking points this week is the arrival of multiple new songs from Future, creating significant movement throughout the chart. At the same time, older favorites continue finding new audiences, showing how streaming, social media, and playlist culture keep music alive far beyond its original release.
Overall, this week’s ranking captures a fascinating balance between consistency and change, making it one of the more interesting charts of summer 2026. The chart data used in this article is based on the week of July 25, 2026.
Contents
- 1 Quick Facts
- 2 This Week’s Highlights
- 3 Complete Top 100 Chart
- 4 Number One Song Analysis
- 5 Top Five Overview
- 5.1 No. 1 – Choosin’ Texas – Ella Langley
- 5.2 No. 2 – I Knew It, I Knew You – Taylor Swift
- 5.3 No. 3 – Be Her – Ella Langley
- 5.4 No. 4 – Hate That I Made You Love Me – Ariana Grande
- 5.5 No. 5 – Dracula – Tame Impala & JENNIE
- 5.6 No. 6 – Boston – Stella Lefty
- 5.7 No. 7 – I Can’t Love You Anymore – Ella Langley & Morgan Wallen
- 5.8 No. 8 – Man I Need – Olivia Dean
- 5.9 No. 9 – So Easy (To Fall In Love) – Olivia Dean
- 5.10 No. 10 – I Just Might – Bruno Mars
- 6 Biggest Movers
- 7 Artists with Multiple Songs
- 8 Genre Trends of Summer 2026
- 9 Historical Context
- 10 Looking Back
- 11 Frequently Asked Questions
- 12 Conclusion
Quick Facts
| Category | Details |
|---|---|
| Chart Week | July 25, 2026 |
| Number One | “Choosin’ Texas” – Ella Langley |
| Highest New Entry | “California Girls” – Future (#23) |
| Biggest Story | Ella Langley stays at No. 1 for another week while Future floods the chart with multiple debuts. |
| Strongest Genre | Country-Pop |
| Returning Classic | Oasis – “Wonderwall” re-enters the chart |
| Biggest Competition | Ella Langley vs. Taylor Swift for the top position |
This Week’s Highlights
Ella Langley refuses to slow down
For another week, “Choosin’ Texas” remains the country’s biggest song. Staying at No. 1 after nearly nine months on the chart is an achievement very few singles accomplish. Instead of fading naturally, the song continues to attract new listeners while maintaining strong support from existing fans. It has become one of the defining hits of 2026.
Taylor Swift remains within striking distance
“I Knew It, I Knew You” comfortably holds second place. After debuting at No. 1 earlier this summer, the song has shown remarkable stability. While it has not reclaimed the top position this week, its consistent performance suggests it remains a serious contender if momentum shifts in the coming weeks.
Ariana Grande makes another move
One of the week’s biggest winners is Ariana Grande. “Hate That I Made You Love Me” climbs into fourth place, showing renewed strength across digital sales and overall popularity. Instead of fading after its debut success, the single appears to be entering another growth phase.
Future dominates the newcomers
Although the top of the chart remains stable, the middle of the Hot 100 looks very different thanks to Future. His latest project launches numerous songs onto the chart, with “California Girls” becoming the highest debut at No. 23 while several additional tracks enter throughout the Top 100. This creates one of the busiest debut weeks of the summer.
Classic music never disappears
One surprise this week comes from Oasis. Nearly thirty years after its original chart run, “Wonderwall” returns to the Hot 100 once again. Whether driven by streaming, viral trends, or renewed public interest, its re-entry highlights how timeless songs continue finding new audiences in the streaming era.
Complete Top 100 Chart
| Position | Song | Artist | Last Week |
|---|---|---|---|
| 1 | Choosin’ Texas | Ella Langley | 1 |
| 2 | I Knew It, I Knew You | Taylor Swift | 2 |
| 3 | Be Her | Ella Langley | 3 |
| 4 | Hate That I Made You Love Me | Ariana Grande | 6 |
| 5 | Dracula | Tame Impala & JENNIE | 5 |
| 6 | Boston | Stella Lefty | 12 |
| 7 | I Can’t Love You Anymore | Ella Langley & Morgan Wallen | 4 |
| 8 | Man I Need | Olivia Dean | 10 |
| 9 | So Easy (To Fall In Love) | Olivia Dean | 9 |
| 10 | I Just Might | Bruno Mars | 7 |
| 11 | Janice STFU | Drake | 8 |
| 12 | Drop Dead | Olivia Rodrigo | 13 |
| 13 | Risk It All | Bruno Mars | 15 |
| 14 | Stupid Song | Olivia Rodrigo | 14 |
| 15 | Midnight Sun | Zara Larsson | 16 |
| 16 | Don’t We | Morgan Wallen | 19 |
| 17 | Stateside | PinkPantheress with Zara Larsson | 18 |
| 18 | Be By You | Luke Combs | 20 |
| 19 | Spend Dat | Yung Miami | 17 |
| 20 | Earrings | Malcolm Todd | 22 |
| 21 | The Cure | Olivia Rodrigo | 23 |
| 22 | Homewrecker | sombr | 21 |
| 23 | California Girls | Future | — |
| 24 | Babydoll | Dominic Fike | 27 |
| 25 | Shabang | Drake | 24 |
| 26 | Die On This Hill | Sienna Spiro | 28 |
| 27 | Wonderwall | Oasis | RE |
| 28 | Fukk A Interview | Future | — |
| 29 | Konnichiwa | Future | — |
| 30 | Cinderella | Mac Miller featuring Ty Dolla $ign | 29 |
| 31 | Morning Dew (Donk) | Beyoncé | 26 |
| 32 | American Girls | Harry Styles | 33 |
| 33 | One Two | Future | — |
| 34 | Don’t Tell On Me | Jason Aldean | 38 |
| 35 | Fever Dream | Alex Warren | 40 |
| 36 | What You Need | Tems | 39 |
| 37 | Tank Top Pluto | Future | — |
| 38 | Snow In Skyami | Future | — |
| 39 | Honeybee | Olivia Rodrigo | 34 |
| 40 | E85 | Don Toliver | 37 |
| 41 | Orbiter | Noah Kahan | 52 |
| 42 | Dai Dai (FIFA World Cup Official Song 2026) | Shakira X Burna Boy | 55 |
| 43 | Freakin’ Out | Dexter And The Moonrocks | 47 |
| 44 | Loving Life Again | Ella Langley | 50 |
| 45 | Something To Lose | Stella Lefty featuring Vincent Mason | 66 |
| 46 | Radio | Future | RE |
| 47 | Self Aware | Temper City | 51 |
| 48 | Weight Up | Future | — |
| 49 | Chicago | Michael Jackson | 42 |
| 50 | Pop Dat Thang | DaBaby | 45 |
| 51 | Doors | Noah Kahan | 63 |
| 52 | Trench Coat | Future | — |
| 53 | Iloveitiloveitiloveit | Bella Kay | 65 |
| 54 | No Misery | Future | — |
| 55 | 2 Hard 4 The Radio | Drake | 56 |
| 56 | Noble | F3miii | 54 |
| 57 | Hit The Wall | Gracie Abrams | 43 |
| 58 | Build A Bitch | Future | — |
| 59 | Mexico Honey | Kacey Musgraves | 61 |
| 60 | Maggots For Brains | Olivia Rodrigo | 48 |
| 61 | Ran To Atlanta | Drake featuring Future & Molly Santana | 53 |
| 62 | misery. | pupsies | 80 |
| 63 | Rubberz | Fenix Flexin | 62 |
| 64 | Money Over Everything | Future | — |
| 65 | Expectations | Olivia Rodrigo | 57 |
| 66 | Ghetto Love Story | BabyChiefDoit | 71 |
| 67 | My Body Isn’t Ready | sombr | 59 |
| 68 | Motion Party | BossMan Dlow | 58 |
| 69 | Great Expectation | Sienna Spiro | 91 |
| 70 | Hate How You Look | Josh Ross | 67 |
| 71 | Iconic By Mistake | LE SSERAFIM, ILLIT & KATSEYE | 60 |
| 72 | Raindance | Dave & Tems | 75 |
| 73 | Willing And Able | Noah Kahan | 81 |
| 74 | Phone, Keys, Wallet | Lainey Wilson & John Mayer | 98 |
| 75 | Woman | Kane Brown | 77 |
| 76 | Off The Hinge | Future | — |
| 77 | Less | Olivia Rodrigo | 72 |
| 78 | What’s Wrong With Me | Olivia Rodrigo & Robert Smith | 64 |
| 79 | Rethink Some Things | Luke Combs | 87 |
| 80 | Rein Me In | Sam Fender & Olivia Dean | 90 |
| 81 | McArthur | HARDY, Eric Church, Morgan Wallen & Tim McGraw | 76 |
| 82 | Whisper My Name | Drake | 68 |
| 83 | 2018 | Future | — |
| 84 | House Tour | Sabrina Carpenter | 82 |
| 85 | My Way | Olivia Rodrigo | 69 |
| 86 | Bloodstream | Alyssa Grace | — |
| 87 | Chevy Silverado | Bailey Zimmerman | 93 |
| 88 | National Treasures | Drake | 70 |
| 89 | Mr. Know It All | Teddy Swims | 92 |
| 90 | Begged | Olivia Rodrigo | 74 |
| 91 | u + me = <3 | Olivia Rodrigo | 73 |
| 92 | Look At My Life | Gracie Abrams | 85 |
| 93 | If I Could | Future | — |
| 94 | Think As You Drunk | Riley Green | — |
| 95 | Speed Demon | Justin Bieber | 86 |
| 96 | Damned If I Do | Vincent Mason | 83 |
| 97 | Kick | Future | — |
| 98 | Eye To Eye | Future | — |
| 99 | Carry On | Kenny Chesney | 97 |
| 100 | Swim | BTS | 84 |
Number One Song Analysis
No. 1 — “Choosin’ Texas” — Ella Langley
Remaining at No. 1 this late into a chart run is often harder than reaching the summit in the first place. Every week brings fresh competition from major releases, yet “Choosin’ Texas” continues to hold its ground.
One reason for its success is its unusually broad audience. The song connects with country fans while also appealing to mainstream pop listeners, giving it impressive crossover appeal. That wider reach allows it to remain competitive across multiple listening platforms instead of relying on one audience alone.
Another important factor is consistency. Many songs debut with huge first-week numbers before quickly losing momentum. “Choosin’ Texas” has followed the opposite path. It has remained remarkably stable throughout its run, gradually becoming one of the signature songs of 2026 rather than simply one of the year’s biggest debuts.
Ella Langley’s growing reputation also helps. Instead of depending on a single breakout hit, she now has multiple successful records inside the upper part of the chart. That creates increased visibility and encourages listeners to explore more of her catalog.
With nearly forty weeks already spent on the chart, the song has clearly moved beyond being just another hit single. It now stands among the defining releases of the year and will likely remain an important reference point whenever people look back at the musical landscape of 2026.
Top Five Overview
No. 1 – Choosin’ Texas – Ella Langley
Another week at the summit confirms this as one of 2026’s defining hits. Its remarkable consistency is arguably more impressive than its initial rise to No. 1. After nearly nine months on the chart, it continues to outperform every challenger and has become one of the signature songs of the year.
No. 2 – I Knew It, I Knew You – Taylor Swift
Taylor Swift remains within striking distance of reclaiming the top position. The song debuted at No. 1 and has shown outstanding stability ever since. If momentum shifts in the coming weeks, it has every chance of returning to the summit.
No. 3 – Be Her – Ella Langley
Having two songs inside the Top Three is a rare accomplishment in any era. “Be Her” continues proving that Ella Langley’s success is not built around a single blockbuster hit but around an entire catalog connecting with listeners.
No. 4 – Hate That I Made You Love Me – Ariana Grande
Ariana Grande returns to the Top Five after climbing two places this week. The single is enjoying renewed popularity across digital platforms and appears to be entering a second wave of success rather than fading after its debut.
No. 5 – Dracula – Tame Impala & JENNIE
Now spending more than forty weeks on the chart, this collaboration remains one of the year’s most dependable crossover hits. Its unique blend of psychedelic pop and modern production continues attracting listeners long after its release.
No. 6 – Boston – Stella Lefty
The week’s biggest Top 10 breakthrough belongs to Stella Lefty. Jumping from No. 12 to a new peak of No. 6, “Boston” has quietly built momentum through steady listener growth instead of relying on a huge opening week. It now stands as one of the summer’s fastest-rising hits.
No. 7 – I Can’t Love You Anymore – Ella Langley & Morgan Wallen
Although it slips slightly from fourth to seventh, the collaboration remains firmly inside the Top 10. The pairing of two of country music’s biggest names continues to resonate with fans, giving the song impressive staying power.
No. 8 – Man I Need – Olivia Dean
Olivia Dean continues one of the most consistent chart runs of the past year. Despite approaching a full year on the Hot 100, “Man I Need” remains a major streaming favorite and demonstrates the long-term appeal of thoughtful, soulful pop.
No. 9 – So Easy (To Fall In Love) – Olivia Dean
Olivia Dean achieves another impressive milestone by placing two songs inside the Top 10. While many artists struggle to maintain one major hit, she continues proving the depth of her catalog with another long-running favorite.
No. 10 – I Just Might – Bruno Mars
Bruno Mars rounds out the Top 10 with one of 2026’s biggest comeback records. Although it drops three positions this week, the song has already enjoyed time at No. 1 and remains one of the year’s defining pop releases. Its enduring popularity reflects Bruno Mars’ ability to create songs with broad and lasting appeal.
Biggest Movers
Although the Top Five remained relatively stable this week, there was plenty of movement across the rest of the Hot 100. Several songs reached new career highs, while a wave of fresh entries from Future reshaped the middle of the chart.
Biggest Climbers
Boston – Stella Lefty (No. 12 → No. 6)
One of the week’s strongest performers is Stella Lefty’s “Boston.” The song jumps six places to reach a brand-new peak inside the Top 10. Its steady week-to-week growth suggests listeners continue discovering the track rather than abandoning it after an early surge.
Orbiter – Noah Kahan (No. 52 → No. 41)
Noah Kahan scores another notable gain. “Orbiter” moves eleven places to reach a new career high, showing that his storytelling style continues connecting with mainstream audiences beyond his established fan base.
Something To Lose – Stella Lefty featuring Vincent Mason (No. 66 → No. 45)
The week’s biggest streaming improvement belongs to Stella Lefty and Vincent Mason. Their collaboration climbs more than twenty positions, becoming one of the fastest-rising songs on this week’s chart.
Highest New Debut
Future claims the highest new entry with “California Girls” at No. 23. Rather than launching a single track, his newest project places numerous songs across the Hot 100, immediately changing the chart’s overall balance.
Notable Re-Entry
Few songs have the lasting popularity of Oasis’ “Wonderwall.” Originally released decades ago, it returns to the Hot 100 once again. Re-entries like this demonstrate how streaming platforms allow classic songs to compete alongside today’s biggest releases.
Artists with Multiple Songs
Several artists enjoy exceptional representation this week, showing both loyal fan support and deep catalog strength.
Ella Langley
Ella Langley remains the chart’s biggest star with multiple major hits.
- No. 1 – Choosin’ Texas
- No. 3 – Be Her
- No. 7 – I Can’t Love You Anymore (with Morgan Wallen)
- No. 44 – Loving Life Again
Four songs inside the Hot 100, including two in the Top Three, make this one of the strongest weeks of her career.
Olivia Rodrigo
Olivia Rodrigo continues to dominate with songs from her latest era.
- Drop Dead
- Stupid Song
- The Cure
- Honeybee
- Maggots For Brains
- Expectations
Having six songs spread across the chart shows remarkable consistency and confirms that listeners are exploring far more than just her biggest singles.
Future
Future becomes this week’s biggest story outside the Top 10. Along with existing songs, his newest release introduces a large collection of fresh entries across the chart, including:
- California Girls
- Fukk A Interview
- Konnichiwa
- One Two
- Tank Top Pluto
- Snow In Skyami
- Radio
- Weight Up
- Trench Coat
- No Misery
- Build A Bitch
- Money Over Everything
Few artists can place so many songs on the chart simultaneously, highlighting both a dedicated fan base and strong streaming performance.
Bruno Mars
Bruno Mars continues showing remarkable longevity.
- I Just Might
- Risk It All
Even after many months on the chart, both songs remain comfortably inside the upper rankings.
Genre Trends of Summer 2026
One of the most interesting aspects of this week’s chart is its musical diversity.
Country continues expanding
Country remains one of America’s strongest commercial genres. Ella Langley, Morgan Wallen, Luke Combs, Jason Aldean, Kacey Musgraves, and Stella Lefty all appear throughout the chart, proving that modern country continues attracting mainstream audiences.
Pop remains highly competitive
Taylor Swift, Ariana Grande, Olivia Rodrigo, Harry Styles, Olivia Dean, Zara Larsson, Bruno Mars, and Gracie Abrams ensure that melodic pop continues producing major hits.
Hip-hop sees another major release week
Future dominates this week’s new entries, while Drake, DaBaby, BossMan Dlow, BabyChiefDoit, Fenix Flexin, and Yung Miami keep hip-hop well represented.
Alternative and indie continue growing
Artists such as Noah Kahan, Tame Impala, Dominic Fike, Dexter And The Moonrocks, and Tems show that listeners continue embracing music beyond traditional pop and rap formats.
Instead of one genre controlling the entire chart, 2026 continues producing one of the most balanced musical landscapes in recent memory.
Historical Context
Looking back, the summer of 2026 is becoming defined by consistency rather than constant turnover.
Unlike years where the No. 1 position changes almost every week, several songs have enjoyed unusually long chart lives. Ella Langley’s “Choosin’ Texas,” Olivia Dean’s biggest hits, Bruno Mars’ comeback singles, and Tame Impala & JENNIE’s collaboration have all remained competitive for months rather than weeks.
Streaming continues rewarding songs with lasting replay value instead of only rewarding opening-week excitement. At the same time, surprise viral moments can quickly return older classics like “Wonderwall” to the national spotlight.
This combination of stability and unpredictability may become one of the defining characteristics of the 2026 music landscape.
Looking Back
Years from now, this chart may be remembered for several reasons.
First, it represents the period when Ella Langley firmly established herself among the biggest artists in American music.
Second, it captures Future launching another major project with numerous simultaneous chart entries, demonstrating the continuing influence of streaming on album releases.
Finally, this week’s ranking illustrates how today’s charts blend entirely new songs with decades-old classics. Modern streaming services have changed listening habits permanently, allowing music from different generations to compete side by side.
That balance between old and new makes the July 25, 2026 chart one of the more interesting snapshots of the year’s musical landscape.
Frequently Asked Questions
1. What was the No. 1 song for the week ending July 25, 2026?
Ella Langley’s “Choosin’ Texas” remained at No. 1 for another week.
2. Which song debuted highest this week?
Future’s “California Girls” entered the chart at No. 23.
3. Which artist had the most songs on the chart?
Future dominated the week with numerous new entries following the release of his latest project.
4. Which classic song returned to the Hot 100?
Oasis returned with “Wonderwall,” demonstrating the lasting popularity of classic songs in the streaming era.
5. Which genres were strongest this week?
Country, pop, hip-hop, and alternative music all enjoyed strong representation throughout the Top 100.
Conclusion
The US Hot 100 for the week ending July 25, 2026 tells the story of a music industry enjoying both stability and constant renewal. Ella Langley continues leading the chart with one of the year’s defining hits, while Taylor Swift, Ariana Grande, Olivia Rodrigo, Bruno Mars, and Olivia Dean remain major forces. Meanwhile, Future’s flood of new entries injects fresh energy into the rankings, and the surprise return of Oasis’ “Wonderwall” reminds us that great songs never truly disappear.
As the summer continues, the battle for the top of the chart remains wide open. Whether the current leaders can maintain their momentum or a new release takes over in the coming weeks will be one of the biggest